The Doctoral Platform at CSM is delighted to announce that Eva Bensasson has completed her PhD.
Eva’s PhD is entitled: A Photographic Enquiry into the Politics and Poetics of the Boundary of an Urban Development Site
Eva’s supervisory team is composed of: Susan Trangmar (DoS), and Graham Ellard.
Tuesday 3rd July, 2018
4:00 PM – 10:00 PM
Lecture Theatre 1 / Courtyard Gallery, Royal College of Art
Kensington Gore, Kensington
With talks from Esther Leslie (Professor of Political Aesthetics at Birkbeck, University of London) and Joanna Zylinska (Professor of New Media and Communications at Goldsmiths, University of London) and performances and videos by Anna Ådahl, Anja Kirschner, Lawrence Lek, Mayra Martin Ganzinotti, Anna Nazo, Emma Somerset Davis and Adam J B Walker.
Vision’s Bleeding Edge will explore the impact of the latest imaging technologies on human and nonhuman vision and the way contemporary art engages with and rearticulates these developments.
Performances and screenings by current RCA researchers will be in dialogue with talks by Esther Leslie, Professor of Political Aesthetics at Birkbeck and author of Liquid Crystals: The Science and Art of a Fluid Form (Reaktion, 2016) and Joanna Zylinska, Professor of New Media and Communications at Goldsmiths and author of Nonhuman Photography (MIT Press, 2017).
Esther Leslie will speak on the history and increasing ubiquity of liquid crystal technologies (in LCD TVs, computers and mobile devices) and the liveliness these bestow on the digital images they both display and ‘see’ – while Joanna
Zylinska’s talk on nonhuman photography and AI driven imaging will focus on the political underpinnings of the current AI debate and its impact on photography and art.
Their presentations will be followed by an extended conversation to which the participating artists, researchers and audience are invited to actively contribute.
4:15pm – screening | Di-Simulated Crowds (2018) by Anna Ådahl
4.30pm – screening | Geomancer (2017) by Lawrence Lek
5.00pm – performance | 6 Weeks in Kyiv (2018) by Adam J B Walker
5.20pm – performance | The Left Hand of Darkness (2018) by Emma Somerset Davis
5:45pm – refreshments
6:00pm – talk | Esther Leslie: Liquid and Crystal Intelligence
6:40pm – screening | Interference (2016) by Mayra Martin Ganzinotti
6.50pm – talk | Joanna Zylinska: Undigital Photography: The Warped Dreams of AI, Machine Vision and Deep Learning
7:30pm – questions and discussion
8:00pm – performance | Reset (2018) by Anna Nazo
8:15pm – screening | Riley (2018) by Anja Kirschner
8:20pm – DJing by Anna Nazo, drinks
Research / Sharing / Gathering
‘Here’…‘There’ / East & Southeast Asian Diasporic Art
An afternoon of presentations, crits, and discussion convened by Alexandra Chang (GAX, NYU) and Erika Tan to focus on current research and practice which connects East/Southeast Asian-Diaspora-Art
Friday 15th June
CSM, Lecture Theatre E002, Kings Cross
1.20pm to 7.30pm
Alexandra Chang, Whiskey Chow, Pamela Corey, Oscar Ho,
Alice Ming Wai Jim, Annie Jael Kwan, Viet Le, Noel Ed De Leon,
Chun-yu Liu (Clare), Thomas Looser, Margo Machida, David Morris,
Cuong Pham, Will Pham, susan pui san lok, Karen Tam, John Tain,
Erika Tan, Josh Tengan, Sung Tieu, Katie Yook
With UAL student presentations by:
Chi Bagtas, Wai Kit Chan, Jan Chan, Hyun Ah Kwon, Tamzin Howard, Elizabeth Lee, Fei Li, Melanie Lehmann, Warudom Sombatkamrai and Srijana Gurung, Patrick Joseph, Moi Tran, Samboleap Tol, Mita Vaghela, Mathew Wang, Riko Yasumiya.
This is an internal UAL event.
All staff and students are welcome to attend.
No booking needed.
Come and join us for all, or part of this event.
A Create/Feminisms event 2 July 2018, 11am-6pm
Registration: Atrium Grove Building and College Building Rooms, Middlesex University
Keynote Speakers: Tanja Ostojic (artist, Berlin); Ewa Majewska (writer/researcher, ICI Berlin, Berlin/Warsaw); Christine Eyene (curator, University of Central Lancashire)
This one-day conference aims to reflect on feminist activism and artivism in/through the many different kinds of contemporary art practices, campaigns and art projects and to explore the rich history of feminism’s innovative and diverse approaches and contributions to both art and politics. This is a feminist research event aiming to bring together artists, writers, curators and self-defined artivists and activists, academics and non-academics, theorists and practitioners.
How do the practices of feminist art workers and activists identify, comment, reflect, address and question issues related to changes in civil and political rights over their bodies; campaigns around health and social care and violence against women; in anti-nuclear and anti-militarist campaigns for the end of conflicts or for peace; in protests about women’s rights as workers, citizens, refugees or migrants; for LGBTQI rights; for disability rights?
2018 marks 100 years since women in the UK over 30 and with a property qualification obtained the vote. Beyond the fact of SOME women’s enfranchisement as citizens, many questions about women’s legal and political rights across the world remain, even though the UN has declared development goals and women’s rights as human rights a key goal for more than 40 years. How has feminism transformed in the last 50 years our understandings of art and activism in relation to struggles for women’s rights as human rights?
2018 also marks 50 years since the student occupation of Hornsey College of Art, which joined Middlesex University and 50 years since May 1968. One panel at this event will be dedicated to feminism’s role in art student protests, sit-ins, work-ins, occupations and alternative de-colonising pedagogies in the last 50 years.
In addition to the keynotes there will be 4-6 panels in the day.
This notice is also a call for papers of 10-20 min. presentations.
These could be case studies of feminist art practices, protest events or campaigns where visual analysis is key; position papers/theoretical arguments and/or practical pedagogic proposals are also welcome. Artists and curators discussing their views on activism and artivism are encouraged to apply. International comparative and cross-generational topics are welcomed.
Send your proposal for a contribution of not more than 200 words with contact details and a short outline about yourself by 29 May 2018 to Katy Deepwell email@example.com
Papers from this call will be organised into 4-6 panels on the day.
All successful applicants to the panel will be announced with the full programme on 4 June 2018.
Limited funds from Middlesex University are available to support transport costs in the UK for those without institutional support whose papers are accepted. We regret that we cannot support costs of international airfares or accommodation for those attending this event.
Every member of the audience/participant at this event is invited to bring a poster to present in the lunch time session which can outline a campaign, a research project, their current work or a proposal for future work – and any form of art activism or artivism – whether or not their paper is accepted. Everyone who attended will be an active participant on the day.
Register here. https://www.onlinestore.mdx.ac.uk/conferences-and-events/faculty-of-arts-and-creative-industries/event/feminist-artivisms-and-activisms-ehe1959
There is no charge for attending or participating in this research event. A lunch and tea/coffee will be provided.
It is organised by the Create/Feminisms Cluster in the Arts and Creative Industries Faculty at Middlesex University.
Contact: Professor Katy Deepwell, firstname.lastname@example.org if you want to be involved.
Arts and Creative Industries Faculty, Grove Building
IAVC Biennial Conference: Visual Pedagogies
London College of Communications,
University of the Arts London
The International Association for Visual Culture is pleased to invite you to its 2018 conference, titled “Visual Pedagogies.” The event takes place September 13 – 15, 2018 and is hosted by the London College of Communications, University of the Arts London.
Please check our website (iavc.info) for further details, including a full line up of participants and registration information.
We look forward to seeing you there!
Muscle Shoals, Alabama, November 12-13, 2018
Muscle Shoals Sound Studio & Marriott Shoals Hotel & Spa
This two-day symposium in Muscle Shoals, Alabama welcomes papers on the significance of landscape and geographical location for a range of American musical forms and their sonic architecture. In The United States alone, instances of this interrelation are legion, signaled for instance in genre monikers such as “Memphis Soul,” “Appalachian Folk,” “The Bakersfield Sound,” “The Paisley Underground,” and “Southern Rock.” Many are also the place names that immediately suggest the flavor of a particular sound: Laurel Canyon, Seattle, Woodstock, Harvard Square, and Music Row, to name just a few. On a more general level, entire regions have been invoked to describe the sonic texture of genres such as “desert rock” or “delta blues.”
Serving as much more than mythopoetic, evocative labels, these generic orientations reflect the impact of specific artists, musicians, producers and other personnel in specific spaces (studios, other recording environments) and places (towns, cities, rural areas) over time in complex, unpredictable and interchangeable ways. Although inevitably scratching the surface of this vast cultural cartography, the symposium Topographies of Sound invites presentations that reflect upon the vital connections between place, space, and music.
By locating the symposium in Muscle Shoals, and placing parts of the program sessions in the legendary Muscle Shoals Sounds Studio at 3614 Jackson Highway in Sheffield, Alabama, we wish to address these aesthetic constellations in one of the environments where they have been most evidently of significance and pondered upon, while also paying tribute to a unique creative milieu in American recording history.
Possible themes might include (but are not limited to):
* Music and the poetics of place
* Landscape and the question of authenticity
* Regional musics vis-à-vis the national and the global
* Sound and socioeconomic context
* Artists intimately associated with a specific area or city
* Geographical places mentioned in songs
* Musical poetics and mobility, transportation, travel, (trains, steamboats, automobile, etc.)
* Urban and rural musics
* Music and identity politics
* The journey motif
* The importance of the geographical location of recording studios
* Case studies of bands & artists, albums in relation to concrete places
* Musical styles and the fetishization of real places
* American music in the context of an Aesthetic Imaginary
* The use of elemental, topographical, or nautical tropes
* Land and the grain of the voice
Conference Fee: $150 incl. wine reception at Hotel November 11 and studio tour at Muscle Shoals Sounds Studio.
We welcome abstracts (max 250 words) to Asbjorn.Gronstad@uib.no and Oyvind.Vagnes@uib.no. Deadline: June 10, 2018