Santiago Cirugeda

Spatial Practices Lecture Series


Thursday 11 February, 6 – 8pm | LVMH Lecture Theatre E003


Santiago Cirugeda is an architect and founder of the studio Recetas Urbanas (Urban Recipes). Since 1996, Recetas Urbanas has developed subversive projects in different urban contexts that negotiate between the legal and illegal, demanding that the rules governing city planning undergo an urgent revision.
Considering London’s crisis of living by structuring a range of projects and external partnerships that experiment with the provision of an affordable and equitable place to live, the series is not to be missed!

Visit the event page to book your free ticket and to see the full list of lectures talking place.


Research Through Design 2017 Conference

New Disciplines of Making – Shared Knowledge in Doing

22nd-24th March 2017,

National Museum of Scotland, Edinburgh UK

Twitter: @RTD2017

1st Call for Submissions

We are excited to invite submissions for the third biennial Research Through Design (RTD) conference to be held in Edinburgh, UK, between the 22nd and 24th of March 2017. RTD supports the dissemination of practice-based research through a novel and experimental conference format, comprising a curated exhibition of design research, accompanied by round-table discussions in ‘Rooms of Interest’. The exhibition will be used as a platform for presenting and demonstrating research processes and outputs, and for generating debate on the role of the design practitioner and their work in a research context. Building on the success of the second RTD conference held in Microsoft Research’s lab in Cambridge in 2015, the third conference, RTD 2017, is to be hosted at the National Museum of Scotland (NMS) in Edinburgh. This promises to be an exciting venue for exploring new and emerging making disciplines, in a sustainably minded and socially aware community of practice. RTD 2017 offers a unique opportunity for conference exhibits to be juxtaposed with traditional curated NMS artefacts and collections, challenging contemporary and future notions of value and expertise.

We invite submissions from researcher-practitioners documenting research through design projects, including descriptions of methods, processes and insights emerging from design inquiry. It is anticipated that this will offer a departure point for rich discussion. Criteria for selection are based on the author’s presentation of artefacts (constituting research process or outcomes) and should be central to their submission. Artefacts will be included in the curated exhibition, and papers should accompany the exhibited artefact in a presentation of ‘research through design’ at the conference. Conference proceedings will be publicly available via Figshare (

Contributions to RTD 2017 may fall under (but are not limited to) the following themes:
Material: Fluidity of Knowledge: What are the new disciplines in making? Ceramics, glass, metalwork, woodwork, textiles, are all long established materials based disciplines in making. New roles for objects and materials, including digital craft and data, are emerging, questioning where knowledge lies in and across the creation process and created outputs. What does this mean for the ‘thingness’ of creations? What does this mean for ownership? What does this mean for citations and referencing of design? How might this new fluidity challenge the ways we work and make? How can we design from, with, and by digital data?
Process: Outcomes of the Unintended: Success and failure are not often assigned equal importance, particularly in risk adverse contexts. However the role of serendipity and the ‘happy accident’ abound in both scientific discovery and creative practices. What is the value of failure? How does this translate into tactics of making? How can we celebrate the beauty of flaws and failure and what do we lose by not failing? What part has risk played in the creative outcome? Does practice make ‘perfect’?
Finishing: States of Completion: New forms of making challenge the concept of ‘uniqueness’ – what makes the ‘perfect’ and where does variation now lie? How are bespoke artefacts situated in our digital, on-demand, open-access world? When and where does the making process finish? How does this sit with the drive towards sustainable design and the circular economy? For this strand we also encourage design outcomes that are incomplete, or where the process has been re-wound.
Meaning: Belonging and Attachment: Nothing is designed in isolation. External factors infiltrate all of our creative processes and responses to situational contexts, consciously or otherwise. Geographical place, history or community all define a locus that influences practice. What are the roles and examples of histories of new making and artefacts? How can histories, presents, and futures be attached to designed items? What does it mean to belong, and how can site specific making afford a sense of attachment to place?
We strongly encourage participation from a wide range of Design disciplines including, but not limited to: Product, Industrial, Interaction, Service, Textile, Ceramics, Jewellery, Fashion, Architecture, Interior, Experience, Film, and those working at the intersection of disciplines such as Human-Computer Interaction or in more emergent fields and practices such as Synthetic Biology.

How to submit to RTD 2017
The submission process is made through the OpenConf system (check website soon for link to submission site, and we will email with the link to you in April) with the deadline for submission of abstracts being the 23rd June 2016. For more details on the process visit

Details of the full conference will follow later in the year.

If you have any questions at this stage please do get in touch.

Best wishes

Jane and the RTD Team

Jane Macdonald
Research Projects Coordinator
Design Informatics / Travel Behaviours Network

University of Edinburgh
Edinburgh College of Art
3rd Floor, Evolution House
78 Westport, Edinburgh, EH1 2LE
Tel: 0131 6515 749

Staging the Archive

13 January – 16 February

Museum and Study Collection, CSM


“Staging the Archive” is an exhibition that aims to challenge new perspectives of displaying the CSM Collection archive. Through the creation of new art works taken from the archive, the exhibition project questions the idea of real object and the reproduction.


Learn more

Gender Without Borders


Gender Without Borders

All welcome

3 February 6.30 – 8pm | LVMH E002

Professor Nicola Mai, who teaches in Criminology and Sociology at Kingston University, and is a filmmaker and author of Migration and Social Cohesion in the UK, presents a lecture, ‘Assembling Samira & Travel: queering sexual humanitarianism through experimental ethnographic filmmaking.’ Nick is part of the team teaching on the MA Gender without Borders at Kingston University. Visit the event page to book your free ticket.


Andreas Lang

Spatial Practices Lecture Series

Thursday 4 February, 6 – 8pm | LVMH Lecture Theatre E003

The Spatial Practices guest lecture series continues this week with Helen Marriage, co-founder of London based art and architecture practice ‘public works’, one of the UK’s leading independent production companies. Considering London’s crisis of living by structuring a range of projects and external partnerships that experiment with the provision of an affordable and equitable place to live, the series is not to be missed!

Visit the event page to book your free ticket and to see the full list of lectures talking place.

Early Video Art in Italy
book launch

You are cordially invited to the launch of Early Video Art in Italy

6 – 8pm Friday 12 February 2016

British Artists’ Film and Video Study Collection

Lethaby Gallery

‪Central Saint Martins

‪University of the Arts London

‪Granary Building

‪1 Granary Square

‪London N1C 4AA


Italy was a vibrant centre of video art production and exhibition throughout the 1970s and 1980s. This early experimentation attracted artists from all over the world and laid the foundation for video art. Edited by Laura Leuzzi and Stephen Partridge, REWINDItalia Early Video Art in Italy aims to bring the Italian seminal early video experimentation back into the international spotlight and provide a a unique resource for research and study.

REWINDItalia, Early Video Art in Italy includes seminal essays, translated for the first time into English, plus newly commissioned texts by leading scholars and artists, and a wide selection of video stills and other images.

Authors include: Renato Barilli, Maria Gloria Bicocchi, Lola Bonora, Silvia Bordini, Paolo Cardazzo, Cinzia Cremona, Sean Cubitt, Bruno Di Marino, Simonetta Fadda, Vittorio Fagone, Marco Maria Gazzano, Luciano Giaccari, Mirco Infanti, Laura Leuzzi, Sandra Lischi, Adam Lockhart, Stephen Partridge, Cosetta G. Saba, Emile Shemilt, Studio Azzurro, Valentina Valentini, Grahame Weinbren.

Foreword by Don Foresta; introduction by Stephen Partridge; the volume closes with ‘The Chronology of Video Art in Italy (1952–1992)’, by Valentino Catricalà and Laura Leuzzi. Translation by Simona Manca.

Publisher: John Libbey Publishing.

There will be a drinks reception and copies of the book will be available at a special price.


Intimacy Unguarded: Gender, the Unconscious and Contemporary Art


If you are interested in attending, there is a discount code for CSM students. Full fee will be discounted by 50% to 30 pounds.


The code is CSM. Please note that you must show CSM student ID at the Symposium registration.

Saturday 27 February 2016

Freud Museum London


One of the most intimate aspects of the human subject is the unconscious. This symposium examines the ways in which this material becomes the basis for contemporary art, critical writing and the dynamics of the consulting room. The speakers will provide a number of perspectives on the relationship between gender, the unconscious and intimacy. As well as first hand accounts from contemporary artists there will be a new reading of Marlene Dumas’ intimate art practice. The psychoanalytic process of ‘patient presentation’ will be examined, as well as how the process of being in analysis becomes inadvertently manifest when artists exhibit their work in the Freud Museum.


This symposium is hosted in collaboration with the Central Saint Martins School of Art and Design research project Intimacy Unguarded, which examines the personal as material in contemporary art and writing.


Confirmed speakers:

Diana Caine (neuropsychologist)

Denis Echard (psychoanalyst)

Joanne Morra (writer)

Sadie Murdoch (artist)

Griselda Pollock (visual theorist and cultural analyst)

Emma Talbot (artist)

Barbara Visser (artist)


Supported by CSM Art Programme and CSM Research

Full details now available:


Generously supported by

RAW logo (medium) white bckgrn copy


CSM Research Funding


Art Programme Funding

Silent Voices



Silent Voices


Tenth Anniversary of

One-Day Interdisciplinary Colloquium for Postgraduate Students


19 February 2016


Goldsmiths, University of London

St James Hatcham 302



Registration for Silent Voices, a one-day interdisciplinary colloquium for postgraduate students at Goldsmiths, University of London is now open. The colloquium will be held at the St James Hatcham 302 at Goldsmiths on 19 February. For more information, including the conference programme, please visit: .

The Doctoral Platform at CSM offers PhD candidates the space in which to meet, share research, as well as co-ordinate, curate and participate in a variety of events.

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